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Next was Kelly-Marie Murphy’s Give Me Phoenix Wings to Fly. This was one other piece of Deja-vu because the identical rating was offered by the trio Triple Forte 12 days earlier in Music and Past. Sunday’s efficiency was by Trio Alba. It’s arduous to match two performances of 1 work in a sea of music, however the Alba account struck me as being the extra cogent and engrossing.
The night ended with an Octet for Strings in A significant by Johan Svendsen, a Norwegian-Danish composer and buddy of Wagner. I used to be solely in a position to hear a little bit of it, nevertheless it sounded well-crafted and agreeable.
Saturday afternoon provided a program on the Nationwide Gallery that includes Shostakovich’s rating for the 1964 movie of Shakespeare’s Hamlet, organized for a chamber ensemble.
Earlier than the music began, actor Jeffrey Wetsch started the efficiency with the soliloquy “To be or to not be … ” Taking this or another well-known speech from Hamlet out of context tends to provide it a type of portentousness that fits it poorly. Wetsch largely averted the issue by delivering it in an virtually conversational tone.
The music was fascinating greater than arresting.
Earlier this system opened with a choice of different Russian music. First there have been 5 Melodies by Prokofiev. Violinist Atis Bankas and pianist Maria Belooussova performed them to good impact, projecting their easy beauties.
There have been additionally two works by Rachmaninov, a little-heard Hungarian Dance and the better-known Cello Sonata in G minor. The latter was performed by Michel Strauss with quite a lot of feeling. (A extra detailed evaluate will be discovered at www.ottawacitizen.com.)